Live in Japan (2025/26)
An extended stay in Osaka led to several new solo live sets, collaborations and concert projects in many genres.
More content to follow!
25/11/22 space eauuu (Kobe) – with Sleepland & Seddyments
26/01/11 Howring @ Compufunk Records (Osaka)
26/01/31 ZzJaJa (Osaka) – with Yusuke Sakano, Matsui Chiemi & Takamasa Yumikura
26/02/28 space eauuu (Kobe) – with km: & gaapiiiii
26/03/06 space eauuu (Kobe) – with Sonja Lena Schmid & Flagio
26/03/07 Miit House (Osaka) – with Sonja Lena Schmid, Yangjah, Jerry Gordon
26/03/08 environment 0g (Osaka) – with Sonja Lena Schmid & Juri Suzue
26/03/14 audioscape vol. 6 @ S-Pod (Kyoto)
26/03/20 Permian (Tokyo) – with Sonja Lena Schmid & Riuichi Daijo
26/03/27 Utsubo Scape @ South Swell Cafe (Osaka)
26/03/28 ZzJaJa (Osaka) – with Yusuke Sakano
26/03/29 Tobira Records (Kasai)
26/09/18 Continuum Abstrait @ Makeshift (Kobe) – with Lhinen
26/09/19 Parkaholic (Osaka) – with Yusuke Sakano & Takamasa Yumikura
Doomscroll (2025) – pieces for ensemble and fixed media
Small Score Sonata: Quiet music for Viola, Piano and Vibraphone.
HfMGran: Musically examining the online presence of the university’s instagram presence.
Midis2Interludes (with Joel Schellhorn): Miniatures in which random midi content is fed into 2000s multimedia software.
Premiered as part of a concert evening with pieces by the composition & music design classes of HfM Trossingen, dealing with humor & online culture in contemporary music. I also did the lighting design and co-sound direction.
Map Music (2025) – open scores for ensemble
Misreading maps, geography and infrastructure as musical scores.
Il tempo perduto (2024) – audiovisual concert installation
Il tempo perduto interprets the music and architecture of early Baroque northern Italy in an audiovisual concert installation, creating new references to historical aesthetics. Developed with early music ensemble Das Kolorit, thanks to a grant by Deutsche Orchesterstiftung.
Night in the Park (2024) – explorative stroll for haprsichord, recorder & electronics
Developed at Köthener BachLAB, premiered at Köthener Bachfesttage 2024.
Fiona Zimmermann – Recorder
Laura Mingo Peréz – Harpsichord
Luis Miehlich – Electronics, Video
Re-Cartographies (2023) – audiovisual solo-liveset
Ambient liveset, developed by transforming material from the Cartographies ensemble project. Premiered at a mini concert tour through Japan.
Cartographies – Ein Halbschlafkonzert (2023) – pieces for ensemble, electronics & video
A “half-asleep concert”. Work cycle for ensemble and electronics on oceans, clouds and silence. Quiet music for loud times. The audience is encouraged to doze off and let the music seep into the subconcious. The studio recordings of the project became part of the Re-Cartographies album released on Whitelabrecs.
Pictures: Hendrik Benz & Theresa Lechner
Intermorphoses (2022) – collaborative chamber opera for soprano, performer and ensemble
Winner at the competition for innovative concert formats 2022 (HfM Trossingen) & finalist at D-Bü competition 2022.
Josef H. – co-composition, performance, libretto and visuals
Luis Miehlich – co-composition, sound direction, lighting design and visuals
Valérie Leoff – soprano, choreography and performance
Emre Nurbeyler – piano
Viola Bürck – violin
Scott Hermanns – violin
Annemarie Ohlsen – viola
Yoon Han – cello
Aszension (2022) – piece for lute instruments and electronics (premiered at ZKM Karlsruhe)
Innate Organicities (2021) – multi-channel fixed media
Acousmatic piece: Exploring the organic in the artificial, and the artificial in the organic. Lots of frequency shifting.
Stereo mix of the original version:
Binaural mix of the short version, premiered at ZKM ne(x)t_generation 8.5:
Echoes of Venice (2020 – 2023) – evolving audio/video work cycle
Music for Clouds (2020) – site specific sound installation
Silberwelle (2020) – for soprano, tenor, ensemble and electronics
Aki (2019) – for ensemble (premiered at Heidelberg Frühling)
